News for 'effortless fashion'

Still love Sunny Deol? Tell us!

Still love Sunny Deol? Tell us!

Rediff.com20 Jan 2016

Which 1980s hero is still rocking it? VOTE!

Why Meeruthiya Gangsters is an absolute original

Why Meeruthiya Gangsters is an absolute original

Rediff.com21 Sep 2015

'Why is it that we are so forgiving of the glaring problems in grand multi-starrers like Dil Dhadakne Do,' asks Sreehari Nair, 'but when a small film with a truly personal vision seeks our approval, we analyse it through a prism of formal perfection?' 'With its Seinfeldian humour, episodic structure and performers who play off each other's energies, Meeruthiya Gangsters goes farther than most Hindi movies.'

The photographer who wanted revenge

The photographer who wanted revenge

Rediff.com22 Feb 2016

'Mahesh Bhavana is a young man who is beaten up in the town's marketplace and who consequently pledges that he won't wear his slippers again, till he avenges the beating.' 'But Mahesh can't get his revenge that easily -- his punisher is off to a distant land. So what does Mahesh do? He waits. And the town waits with him. And we wait with him.' 'Maheshinte Prathikaram is one of those movies where I didn't know what hit me. I don't remember another movie -- at least in recent times -- that I surrendered to with such happiness,' says Sreehari Nair.

Indian on the outside, Swedish on the inside

Indian on the outside, Swedish on the inside

Rediff.com28 Apr 2017

Born and abandoned in Mumbai, reborn in Sweden, Erika Sandberg says she is Indian on the outside but feels Swedish on the inside. Vaihayasi Pande Daniel narrates her tale.

When the Royals came marching in

When the Royals came marching in

Rediff.com12 Apr 2016

Prince William and Princess Catherine, the Duke and Duchess of Cambridge, collected quite a few Mumbai hearts on a hot two days in April.

Is India ready for humour without punchlines?

Is India ready for humour without punchlines?

Rediff.com18 Nov 2015

No-Punchline humour reminds us how in our daily lives, we all are by turns 'The Corrupt Politician we criticise,' 'The Chauvinist Male we frown upon,' 'The Rule Breaker we deride through our Facebook posts,' 'The Communal Virus we so easily lampoon' and 'The Bad Artist we spoof.' In a land where the aforesaid prototypes are our major sources of 'funny,' is there an audience for the NPL kind of humour, asks Sreehari Nair.

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